Zola and Film - Essays in the Art of Adaptation (Paperback)


French novelist ?mile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895?1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his ?scientific methodology? have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti?Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La B?te humaine, Au Bonheur des Dames, Th?r?se Raquin, Gervaise and Pot-Bouille.

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French novelist ?mile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895?1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his ?scientific methodology? have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti?Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La B?te humaine, Au Bonheur des Dames, Th?r?se Raquin, Gervaise and Pot-Bouille.

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Product Details

General

Imprint

McFarland & Company

Country of origin

United States

Release date

April 2005

Availability

Expected to ship within 12 - 17 working days

First published

April 2005

Editors

,

Dimensions

229 x 161 x 13mm (L x W x T)

Format

Paperback

Pages

229

ISBN-13

978-0-7864-2115-2

Barcode

9780786421152

Categories

LSN

0-7864-2115-0



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