The New German Cinema - Music, History, and the Matter of Style (Paperback, New ed)

When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identityOConational, political, personal, and sexualOComusic and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl FlinnOCOs study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with differenceOCoincluding that embodied in GermanyOCOs difficult historyOCorather than to master or get past it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of "The New German Cinema "examines a particular stylistic strategy, assessing musicOCOs role in each. The study also examines queer strategies like kitsch and camp and explores the movementOCOs charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out."