The Gloucester Series - 80 Panel Paintings Fron Philip James Studio (Paperback)


The five landscape series of 2002 have been made in quantities of eighty to one hundred panels, each set generally taking three weeks to complete. The subjects were drawn from personal journeys in the past five years. The panels are worked on flat, painting twenty at a time in fifteen minute bursts. They are laid out on an old framed 6' x 3' piece which is also serves as a container for the pool of colour washed over the textured surface. Two inch square wooden cubes are used to stack the panels in small towers to dry out. Various factors steer the series' development: there is an initial colour plan; I think about the loadbearing pressures on a place, tracks and crossing points, airflow, water, spaces and intervals, the nature of settlement in the land. For a city: light and shadows on buildings, streets, side alleys and hidden courtyards, people, stores, traffic, noise, incidents and interruptions. I may use rough handling of the medium to make it work, paint responds to that. The panels form a continuing conversation with the colour plan, titles are assigned later to photographs of the line of production. The identity of a place is achieved not by literal description but as an equivalent found by coincidence in the passage of an abstract process. Philip James, Cv/Visual Arts Research, July '02

R670
List Price R799
Save R129 16%

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles6700
Mobicred@R63pm x 12* Mobicred Info
Free Delivery
Delivery AdviceShips in 10 - 15 working days


Toggle WishListAdd to wish list
Review this Item

Product Description

The five landscape series of 2002 have been made in quantities of eighty to one hundred panels, each set generally taking three weeks to complete. The subjects were drawn from personal journeys in the past five years. The panels are worked on flat, painting twenty at a time in fifteen minute bursts. They are laid out on an old framed 6' x 3' piece which is also serves as a container for the pool of colour washed over the textured surface. Two inch square wooden cubes are used to stack the panels in small towers to dry out. Various factors steer the series' development: there is an initial colour plan; I think about the loadbearing pressures on a place, tracks and crossing points, airflow, water, spaces and intervals, the nature of settlement in the land. For a city: light and shadows on buildings, streets, side alleys and hidden courtyards, people, stores, traffic, noise, incidents and interruptions. I may use rough handling of the medium to make it work, paint responds to that. The panels form a continuing conversation with the colour plan, titles are assigned later to photographs of the line of production. The identity of a place is achieved not by literal description but as an equivalent found by coincidence in the passage of an abstract process. Philip James, Cv/Visual Arts Research, July '02

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

Cv Publications

Country of origin

United Kingdom

Series

CV/Visual Arts Research, v. 12

Release date

October 2002

Availability

Expected to ship within 10 - 15 working days

Authors

Dimensions

210 x 148mm (L x W)

Format

Paperback

ISBN-13

978-1-901161-99-1

Barcode

9781901161991

Categories

LSN

1-901161-99-4



Trending On Loot