Romance and the Yellow Peril - Race, Sex, and Discursive Strategies in Hollywood Fiction (Paperback, Reissue)


Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema.
The author begins with a discussion of D. W. Griffith's "Broken Blossoms," then considers later films such as "Shanghai Express," "Madame Butterfly," and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now.
Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.

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Product Description

Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema.
The author begins with a discussion of D. W. Griffith's "Broken Blossoms," then considers later films such as "Shanghai Express," "Madame Butterfly," and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now.
Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.

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Product Details

General

Imprint

University of California Press

Country of origin

United States

Release date

February 1994

Availability

Expected to ship within 12 - 17 working days

First published

1994

Authors

Dimensions

229 x 152 x 20mm (L x W x T)

Format

Paperback - Trade

Pages

272

Edition

Reissue

ISBN-13

978-0-520-08495-7

Barcode

9780520084957

Categories

LSN

0-520-08495-0



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