Steve Larson draws on his 20 years of research in music theory, cognitivelinguistics, experimental psychology, and artificial intelligence -- as well as hisskill as a jazz pianist -- to show how the experience of physical motion can shapeone's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larsonexplains how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theoriesin predicting complete melodic patterns. Larson elegantly demonstrates how rhythmand meter arise from, and are given meaning by, these same musical forces.
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Steve Larson draws on his 20 years of research in music theory, cognitivelinguistics, experimental psychology, and artificial intelligence -- as well as hisskill as a jazz pianist -- to show how the experience of physical motion can shapeone's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larsonexplains how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theoriesin predicting complete melodic patterns. Larson elegantly demonstrates how rhythmand meter arise from, and are given meaning by, these same musical forces.
Imprint | Indiana University Press |
Country of origin | United States |
Release date | 2012 |
Availability | Expected to ship within 12 - 17 working days |
First published | October 2011 |
Authors | Steve Larson |
Dimensions | 229 x 152 x 33mm (L x W x T) |
Format | Hardcover - Cloth over boards |
Pages | 390 |
ISBN-13 | 978-0-253-35682-6 |
Barcode | 9780253356826 |
Categories | |
LSN | 0-253-35682-2 |