Technology has always been inseparable from the development of music. But in the twentieth century a rapid acceleration took place: a new "machine music" came into existence, electronic musical instruments appeared, and composers sometimes seemed more like sound technicians than musicians. In this book Hans-Joachim Braun and his co-authors offer a wide-ranging and fascinating look at the relationship of technology and modern music. Topics range from the role of Yamaha in Japan's musical development to the social construction of the synthesizer; from the player piano as precursor of computer music to the musical role of airplanes and locomotives; from the growth of one independent recording studio (from "Polka to Punk") to the origins of the 45-RPM record. Other chapters consider violin vibrato and the phonograph, Jimi Hendrix, and the aesthetic challenge of soundsampling. The book concludes with a look at the current situation, and perspectives for its future in electronic music.
Contributors: Barbara Barthelmes, Karin Bijsterveld, Hans-Joachim Braun, Martha Brech, Hugh Davies, Bernd Enders, Geoffrey Hindley, Juergen Hocker, Mark Katz, Tatsuya Kobayashi, James P. Kraft, Alexander B. Magoun, Rebecca McSwain, Andre Millard, Helga de la Motte-Haber, Trevor Pinch, Susan Schmidt-Horning, and Frank Trocco.
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Technology has always been inseparable from the development of music. But in the twentieth century a rapid acceleration took place: a new "machine music" came into existence, electronic musical instruments appeared, and composers sometimes seemed more like sound technicians than musicians. In this book Hans-Joachim Braun and his co-authors offer a wide-ranging and fascinating look at the relationship of technology and modern music. Topics range from the role of Yamaha in Japan's musical development to the social construction of the synthesizer; from the player piano as precursor of computer music to the musical role of airplanes and locomotives; from the growth of one independent recording studio (from "Polka to Punk") to the origins of the 45-RPM record. Other chapters consider violin vibrato and the phonograph, Jimi Hendrix, and the aesthetic challenge of soundsampling. The book concludes with a look at the current situation, and perspectives for its future in electronic music.
Contributors: Barbara Barthelmes, Karin Bijsterveld, Hans-Joachim Braun, Martha Brech, Hugh Davies, Bernd Enders, Geoffrey Hindley, Juergen Hocker, Mark Katz, Tatsuya Kobayashi, James P. Kraft, Alexander B. Magoun, Rebecca McSwain, Andre Millard, Helga de la Motte-Haber, Trevor Pinch, Susan Schmidt-Horning, and Frank Trocco.
Imprint | Johns Hopkins University Press |
Country of origin | United States |
Release date | November 2002 |
Availability | Expected to ship within 10 - 15 working days |
First published | July 2002 |
Editors | Hans-Joachim Braun |
Dimensions | 213 x 149 x 22mm (L x W x T) |
Format | Hardcover |
Pages | 256 |
ISBN-13 | 978-0-8018-6885-6 |
Barcode | 9780801868856 |
Categories | |
LSN | 0-8018-6885-8 |