Magritte and Literature - Elective Affinities (Paperback)


The Belgian Surrealist artist Rene Magritte (1898 1967) is well known for his thought-provoking and witty images that challenge the observer s preconditioned perceptions of reality. Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheim are representative examples of Magritte's interarts dialogue with literary figures.

Despite these convergences, the titles subvert the images in his paintings. It is the two images together that express the aesthetics of Surrealism for example, the juxtaposition of unrelated objects whose purpose is to spark recognition. Magritte's challenge to representation compares with metafiction's challenge to classic realism, Les Chants de Maldoror, for example, and the intersecting space between art and writing, sometimes referred to as the iconotext, manifests itself whenever Magritte borrows a literary title for a painting. His strategy is to paint visible thought, and this reverse ekphrasis, the opposite of a rhetorical description, undermines the written text. When he succeeds, the effect is poetry."


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Product Description

The Belgian Surrealist artist Rene Magritte (1898 1967) is well known for his thought-provoking and witty images that challenge the observer s preconditioned perceptions of reality. Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheim are representative examples of Magritte's interarts dialogue with literary figures.

Despite these convergences, the titles subvert the images in his paintings. It is the two images together that express the aesthetics of Surrealism for example, the juxtaposition of unrelated objects whose purpose is to spark recognition. Magritte's challenge to representation compares with metafiction's challenge to classic realism, Les Chants de Maldoror, for example, and the intersecting space between art and writing, sometimes referred to as the iconotext, manifests itself whenever Magritte borrows a literary title for a painting. His strategy is to paint visible thought, and this reverse ekphrasis, the opposite of a rhetorical description, undermines the written text. When he succeeds, the effect is poetry."

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Product Details

General

Imprint

Leuven University Press

Country of origin

Belgium

Release date

2014

Availability

Expected to ship within 12 - 17 working days

First published

February 2014

Authors

Dimensions

231 x 170 x 20mm (L x W x T)

Format

Paperback - Trade

Pages

296

ISBN-13

978-90-5867-960-4

Barcode

9789058679604

Categories

LSN

90-5867-960-8



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