Dreaming of Cinema - Spectatorship, Surrealism, and the Age of Digital Media (Hardcover)


Adam Lowenstein argues that Surrealism's encounter with film can help redefine the meaning of cinematic spectatorship in an era of popular digital entertainment.

Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's special capacity to record the real is either disappearing or being fundamentally changed by new media's different technologies. The Surrealist movement offers an ideal platform for resolving these tensions, undermining the claims of cinema's crisis of realism and offering an alternative interpretation of film's aesthetics and function. The Surrealists never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Reading the writing, films, and art of Luis Bu?uel, Salvador Dal?, Man Ray, Andr? Breton, Andr? Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell, and tracing their influence in the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese "Ring" (1998); and a YouTube channel devoted to Rock Hudson, this innovative approach puts past and present cinema into conversation to recast the meaning of cinematic spectatorship in the twenty-first century.


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Product Description

Adam Lowenstein argues that Surrealism's encounter with film can help redefine the meaning of cinematic spectatorship in an era of popular digital entertainment.

Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's special capacity to record the real is either disappearing or being fundamentally changed by new media's different technologies. The Surrealist movement offers an ideal platform for resolving these tensions, undermining the claims of cinema's crisis of realism and offering an alternative interpretation of film's aesthetics and function. The Surrealists never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Reading the writing, films, and art of Luis Bu?uel, Salvador Dal?, Man Ray, Andr? Breton, Andr? Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell, and tracing their influence in the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese "Ring" (1998); and a YouTube channel devoted to Rock Hudson, this innovative approach puts past and present cinema into conversation to recast the meaning of cinematic spectatorship in the twenty-first century.

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Product Details

General

Imprint

Columbia University Press

Country of origin

United States

Series

Film and Culture Series

Release date

November 2014

Availability

Expected to ship within 12 - 17 working days

First published

2015

Authors

Dimensions

229 x 152 x 18mm (L x W x T)

Format

Hardcover - Trade binding

Pages

280

ISBN-13

978-0-231-16656-0

Barcode

9780231166560

Categories

LSN

0-231-16656-7



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