Contents:
List of Abbreviations Introduction 1. Bergson and Cinema Deleuze's Bergson. Three Bergsonian Theses on Movement
Image, Movement, Matter, Light
The Three Movement-Images
2. Frame, Shot and Montage
Frame and Shot
Montage: Organic and Dialectic
Montage: Quantitative and Intensive
3. Eighteen Signs (More or Less)
Pierce and Signs
The Perception-Image
The Affection-Image
The Impulse-Image
The Action-Image
The Reflection-Image
The Relation-Image
4. Hyalosigns: Crystals of Time
Opsigns
Mnemosigns and Onirosigns
Hyalosigns
Crystalline States
5. Chronosigns: The Order of Time and Time as Series
Sheets of the Past, Peaks of the Present
Robbe-Grillet, Welles and Resnais
Powers of the False
Rouch's Ethnofictions
Bodies and Categories
6. Noosigns and Lectosigns: Images and Thought, Sight and Sound
The Classic Image of Thought
The Thought of the Outside
The Spiritual Automaton
Silent and Audible Lectosigns
The Modern Lectosign
A Note on Cinema, Theater and Television
Conclusion
Works Cited