Cultivating Victorians - Liberal Culture and the Aesthetic (Hardcover, New)


In this provocative and historically detailed reading of the relations between Victorian liberalism and aestheticism, David Wayne Thomas challenges current critical assumptions concerning modern liberal agency and aesthetic experience more generally. Through meticulous examinations of literature, visual arts, popular culture, and politics, "Cultivating Victorians" shows how a mid-Victorian liberal discourse of individual "many-sidedness"--understood as a cultivated disposition toward self-criticism and open-mindedness--was taken up by artists and writers as they claimed for art a self-reflecting agency at the core of the liberal ideal. Thomas makes plain, as well, the ongoing but often repressed stake of latter-day critics in the aesthetics of many-sidedness.
As Thomas shows, an increasingly dominant mid-Victorian liberal culture employed its rhetoric of cultivation in projects as varied as aesthetic appreciation, self-improvement, and social amelioration. By looking to topics across both elite and popular culture, Thomas demonstrates how this liberal culture had to take shape in competition with other dimensions of Victorian public life. Thus several uncommon but illuminating contexts come under inspection here: the bizarre sensation of the Tichborne Claimant, a low-born imposter claiming a noble inheritance; the reportage on life-scale historical city replicas fashioned for temporary public exhibitions in the 1880s; and Dante Gabriel Rossetti's practice of producing and reproducing his artwork for a newly constituted consumer market. Thomas also reads extensively in notable Victorian intellectuals such as George Eliot, John Stuart Mill, John Ruskin, Matthew Arnold, and OscarWilde.
Theoretically inventive, engagingly written, and vividly illustrated, "Cultivating Victorians" is a timely invitation to rethink liberal values--like autonomy and reflective judgment--that have been routinely condemned as atomistic individualism and false universalism in recent decades.

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Product Description

In this provocative and historically detailed reading of the relations between Victorian liberalism and aestheticism, David Wayne Thomas challenges current critical assumptions concerning modern liberal agency and aesthetic experience more generally. Through meticulous examinations of literature, visual arts, popular culture, and politics, "Cultivating Victorians" shows how a mid-Victorian liberal discourse of individual "many-sidedness"--understood as a cultivated disposition toward self-criticism and open-mindedness--was taken up by artists and writers as they claimed for art a self-reflecting agency at the core of the liberal ideal. Thomas makes plain, as well, the ongoing but often repressed stake of latter-day critics in the aesthetics of many-sidedness.
As Thomas shows, an increasingly dominant mid-Victorian liberal culture employed its rhetoric of cultivation in projects as varied as aesthetic appreciation, self-improvement, and social amelioration. By looking to topics across both elite and popular culture, Thomas demonstrates how this liberal culture had to take shape in competition with other dimensions of Victorian public life. Thus several uncommon but illuminating contexts come under inspection here: the bizarre sensation of the Tichborne Claimant, a low-born imposter claiming a noble inheritance; the reportage on life-scale historical city replicas fashioned for temporary public exhibitions in the 1880s; and Dante Gabriel Rossetti's practice of producing and reproducing his artwork for a newly constituted consumer market. Thomas also reads extensively in notable Victorian intellectuals such as George Eliot, John Stuart Mill, John Ruskin, Matthew Arnold, and OscarWilde.
Theoretically inventive, engagingly written, and vividly illustrated, "Cultivating Victorians" is a timely invitation to rethink liberal values--like autonomy and reflective judgment--that have been routinely condemned as atomistic individualism and false universalism in recent decades.

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Product Details

General

Imprint

University of PennsylvaniaPress

Country of origin

United States

Release date

2004

Availability

Expected to ship within 12 - 17 working days

First published

2004

Authors

Dimensions

229 x 152 x 25mm (L x W x T)

Format

Hardcover - Paper over boards

Pages

248

Edition

New

ISBN-13

978-0-8122-3754-2

Barcode

9780812237542

Categories

LSN

0-8122-3754-4



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