Critical Race Theory and Copyright in American Dance - Whiteness as Status Property (Paperback, 1st ed. 2013)
Caroline Joan S. PicartThe effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
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Product Description
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
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Product Details
General
Imprint | Palgrave Macmillan |
Country of origin | United Kingdom |
Release date | November 2013 |
Availability | Expected to ship within 10 - 15 working days |
First published | 2013 |
Authors | Caroline Joan S. Picart |
Dimensions | 216 x 140 x 14mm (L x W x T) |
Format | Paperback |
Pages | 243 |
Edition | 1st ed. 2013 |
ISBN-13 | 978-1-349-45819-6 |
Barcode | 9781349458196 |
Categories | |
LSN | 1-349-45819-8 |
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