Brutality Garden - Tropicalia and the Emergence of a Brazilian Counterculture (Paperback, New edition)


In the late 1960s, Brazilian artists forged a watershed cultural movement known as TropicAlia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, TropicAlia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians.

Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom ZA(c) created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.


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Product Description

In the late 1960s, Brazilian artists forged a watershed cultural movement known as TropicAlia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, TropicAlia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians.

Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom ZA(c) created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.

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Product Details

General

Imprint

The University of North Carolina Press

Country of origin

United States

Release date

October 2001

Availability

Expected to ship within 10 - 15 working days

First published

October 2001

Authors

Dimensions

235 x 156 x 17mm (L x W x T)

Format

Paperback

Pages

276

Edition

New edition

ISBN-13

978-0-8078-4976-7

Barcode

9780807849767

Categories

LSN

0-8078-4976-6



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